| A Review of: The First Stone by Heather BirrellThe First Stone is a page-turner of a morality tale set in a
fictionalized Halifax. It follows Reef and Leeza, two very different
sixteen-year-olds, through their roles in a highway "accident",
and its attendant frustrations and despair. Reef's past catches
up with him when he angrily pitches a rock off an overpass and it
shatters the windshield of a motorist below. The motorist is, of
course, the innocent Leeza, and Reef's act winds up not only changing
the two teenagers' fates, but binding them in significant ways.
Reef, thanks to the decision of a compassionate judge, finds himself
in a group home with a motley crew of delinquents on the rocky road
to reform (and separated from his old buddies and their common
history of abuse and neglect). Leeza, whose injuries from the
accident have left her in excruciating pain and understandably
depressed, ends up in a physical rehab centre with the spunky,
wheelchair-bound Brett as roommate.
The narrative althernates between the two teens, switching perspective
from chapter to chapter, which makes for gripping pacing and a
variety in perspective. For the most part, Aker's characterizations
serve him well, although there are moments where an unnecessary
affectedness creeps into the prose, as when the narrator repeatedly
refers to Reef or Leeza as "the teenager"-an odd and
obvious construction which may strike sophisticated readers as
patronizing.
As part of his re-integration into society, Reef is required to
volunteer at a physical rehab centre, where it is hoped he will
build his powers of empathy and recognize the consequences of his
actions. In a coincidence that perhaps serves the author's purpose
too conveniently, Reef is paired with Leeza, and the two become
fast friends, finding commonality and closeness despite their very
dissimilar backgrounds. Here we have the perfect paradigm for Reef's
realization and the author's message: We are all responsible for
our actions-actions that can create ripples, even shock waves in
the lives of others. In the end, Aker sidesteps this blatant
coincidence by having his characters acknowledge it, a gambit that
may appeal to a pre-teen's sense of melodrama. Despite its occasional
heavy-handedness and structural stiltedness, however, this is a YA
novel with its heart in the right place.
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